Some of Nora Ephron's Her Best Lines

by The Associated Press

LOS ANGELES (AP) — Nora Ephron's characters were highly verbal and hyper-analytical. They had a head for the absurd and a heart for romance. But above all, they were funny.

The big New Year's Eve speech Crystal delivers to Ryan at the end of "When Harry Met Sally ...." This is vintage Ephron in a nutshell.

"I love that you get cold when it's 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you're looking at me like I'm nuts. I love that after I spend the day with you, I can still smell your perfume on my clothes. And I love that you are the last person I want to talk to before I go to sleep at night. And it's not because I'm lonely, and it's not because it's New Year's Eve. I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible."

From 1998's "You've Got Mail," which Ephron wrote and directed, when Tom Hanks and Meg Ryan are walking through a farmer's market ruling out the people they won't date.

Hanks: "I could never be with someone who likes Joni Mitchell. 'It's clouds illusions I recall/I really don't know clouds at all.' What does that mean? Is she a pilot? Is she taking flying lessons? It must be a metaphor for something but I don't know what it is."

The last lines of "You've Got Mail," after all the gesturing and posturing, the sabotage and mistaken identity, they meet in Riverside Park and Ryan finally realizes that Hanks has been her secret email pal all along.

Hanks: "Don't cry, Shopgirl. Don't cry."

Ryan: "I wanted it to be you. I wanted it to be you so badly."

 From 1993's "Sleepless in Seattle," which Ephron also wrote and directed. Tom Hanks' son has called into a late-night talk radio show for him. As he explains what was so special about his late wife, Ryan is listening in her car across the country.

"Well, how long is your program? Well, it was a million tiny little things that, when you added them all up, they just meant we were supposed to be together. And I knew it. And I knew it the very first time I touched her. It was like coming home, only to no home I'd ever known. I was just taking her hand to help her out of a car and I knew. It was like ... magic.